TripImprover - Get More out of Your Museum Visits!
  • Home
  • Blog
  • Museums
    • Alte Pinakothek
    • Art Institute of Chicago
    • Baltimore Museum of Art
    • Barber Institute of Fine Arts
    • Bargello
    • Barnes Foundation
    • British Museum
    • Church of Sant’Anastasia
    • Cleveland Museum of Art
    • Courtauld Institute of Art
    • Detroit Institute of Arts
    • Frans Hals Museum
    • Galleria Borghese
    • Gallerie dell'Accademia
    • Getty Museum
    • Guggenheim
    • Hermitage Museum
    • Kunsthistorisches Museum
    • Kunstmuseum Basel
    • Legion of Honor Museum
    • Louvre
    • Mauritshuis
    • Metropolitan Museum of Art
    • Musee d’Orsay
    • Museum of Fine Arts in Boston
    • Museum of Modern Art
    • National Gallery in London
    • National Gallery of Art
    • National Museum in Poznań
    • Norton Simon Museum
    • Ny Carlsberg Glyptotek
    • Palace of Versailles
    • Palazzo Pitti
    • Palazzo Vecchio
    • Petit Palais
    • Philadelphia Museum of Art
    • Prado
    • Pushkin Museum
    • Ravenna Art Museum
    • Rijksmuseum
    • San Diego Museum of Art
    • Santa Maria delle Grazie
    • Städel Museum
    • Statens Museum for Kunst
    • Tate Britain
    • Tate Modern
    • Timken Museum of Art
    • Uffizi
    • Vatican Museums
    • Wallace Collection
  • Artists
    • Altdorfer
    • Anguissola
    • Berlin Painter
    • Bosch
    • Botticelli
    • Boucher
    • Bronzino
    • Bruegel the Elder
    • Cabanel
    • Caillebotte
    • Canova
    • Caravaggio
    • Carpeaux
    • Cezanne
    • Cimabue
    • David
    • Degas
    • Delacroix
    • De Maria
    • Donatello
    • El Greco
    • Fontana
    • Fra Angelico
    • Fragonard
    • Gauguin
    • Gentileschi
    • Gericault
    • Gonzalez-Torres
    • Goya
    • Hals
    • Hogarth
    • Hokusai
    • Ingres
    • Leonardo da Vinci
    • Lippi, Filippo
    • Longhi, Barbara
    • Lorrain
    • Makovsky
    • Manet
    • Massys
    • Matisse
    • Michelangelo
    • Modigliani
    • Monet
    • Panini
    • Parmigianino
    • Perugino
    • Picasso
    • Pisanello
    • Raphael
    • Rembrandt
    • Renoir
    • Reynolds
    • Rivera
    • Rodin
    • Rubens
    • Scultori
    • Seurat
    • Steen
    • Tintoretto
    • Titian
    • Toulouse-Lautrec
    • Turner
    • Uccello
    • Van der Weyden
    • Van Dyck
    • Van Eyck
    • Van Gogh
    • Van Hemessen
    • Vasari
    • Velazquez
    • Vermeer
    • Veronese
    • Vigée Le Brun
  • Locations
    • Austria >
      • Vienna
    • Denmark >
      • Copenhagen
    • England >
      • Birmingham
      • London
    • France >
      • Paris
      • Versailles
    • Germany >
      • Frankfurt
      • Munich
    • Italy >
      • Bologna
      • Florence
      • Milan
      • Ravenna
      • Rome
      • Venice
      • Verona
    • Poland >
      • Poznań
    • Russia >
      • Moscow
      • Saint Petersburg
    • Spain >
      • Madrid
    • Switzerland >
      • Basel
    • The Netherlands >
      • Amsterdam
      • Haarlem
      • The Hague
    • United States >
      • Baltimore
      • Boston
      • Chicago
      • Cleveland
      • Detroit
      • Los Angeles
      • New York
      • Pasadena
      • Philadelphia
      • San Diego
      • San Francisco
      • Washington, DC
  • Books
  • About Us
    • Contact
    • Friends and Resources

The New York Earth Room by Walter De Maria

1/15/2020

0 Comments

 
The New York Earth Room at 141 Wooster Street in New York City
Walter De Maria, The New York Earth Room, 1977. © The Estate of Walter De Maria. Photo: John Cliett, courtesy Dia Art Foundation, New York
Where: 141 Wooster Street, New York City
When: 1977
What do you experience? The Earth Room contains 280 thousand pounds of soil (dirt) filling up the 3600 square feet second floor apartment in the heart of New York City. It measures up to about 22 inches in height and is contained partly by the white walls and partly by a glass barrier only inches taller than the level of dirt.

​Unlike most other types of sculptures, which can be experienced at distance (a photograph can give us an idea of the work and artist’s creativity), the Earth Room should be experienced in person. Besides the visual or even tactile levels of perception, the Room evokes an olfactory experience. The visitor can smell the art. The scent of fresh soil can be felt long before you get to see the actual work, while walking up the stairs leading to the second floor of the building where it is located.

The overall impression is similar to that of experiencing the ocean for the first time; one can smell the water long before it becomes available in any other way. In the Earth Room, the scent of the fresh soil intensifies dramatically as we stand in front of the exposition.

​How does it remain fresh? Bill Dilworth, the curator of the Earth Room, explains the life that has been happening inside the dirt. Originally from Detroit, Dilworth has lived in New York for about 40 years and has been taking care of the New York Earth Room for nearly 30 of those years.

​While life in the Earth Room dirt is limited by the enclosed space, and it does not have the same kind of substances present in a natural environment, scientists have claimed that some microorganisms can survive in such conditions for up to 200 years. Tests of dirt samples revealed all sorts of life present. One of Dilworth’s routine tasks is to water the dirt, partly to limit the dusting inside the apartment. One of the side effects of that task is the continued sustainability of life present in the sculpture.
Bill Dilworth and Xavier Talvela
Bill Dilworth (right) and the author (left).
Land Art: The Earth Room represents Land Art, a creative phenomenon of the 60s and 70s. Land Art focuses on experiments with free-form, conceptual Post-Minimalism and concern with environment. The work is intentionally simple. Yet, its simplicity is what is so puzzling about it and what provokes the desired outcome: a reflection, a thought, and a pause. There is no specific indication as to where the soil in the Room comes from; it is unimportant as it has carried humanity with equal effort throughout the ages, wherever there was soil.

How significant is it for us to realize and how do we perceive the land? Are we making the best use of the earth? Is that even the proper way to think about it? Artists have been making landscapes the subjects of their works for a long time. Why not consider the material—dirt—to have an independent aesthetic quality or even to be one? Those are some of the notions Land Art evokes. Others include the concern about the human impact on that quality. In that sense, art seems to be ahead of theory, as evidenced by the recent outpour of research on the climate change. Working with non-traditional materials, the value of the process itself, and challenging the commercialization of art were at the core of Post-Minimalist movement out of which Land Art grew. The movement challenged the status of commercial merchandise to which art was reduced.

Contrast with city life: A unique feature of the Earth Room is its contrast with city life. The visitor experiences silence and serenity. In the heart of “the city that never sleeps,” the Earth Room’s atmosphere is an oasis of peace and quiet. The earth absorbs while offering a nearly spiritual experience. The feature of solitude is consistent with De Maria’s claim that “Isolation is the essence of land art.”

De Maria's other work, The Lightning Field (1977), is in New Mexico’s desolate area near Quemado. Another land artist, Robert Smithson, located his earth sculpture, the Spiral Jetty (1970), in Rozel Point, Utah, on the northeastern shore of the Great Salt Lake, making it inaccessible altogether for an in-person experience.

Other Earth Rooms: Originally, there were three Earth Rooms, two in Germany and one in New York, which was the last one installed. They were all initially shown through gallery exhibitions. The New York Earth Room was intended to last three months, but it is now the only Earth Room left. It was taken up by Dia Art Foundation. The foundation has commissioned and/or maintained number of projects, with the goal of helping artists realize their visions, especially those visions which often reach beyond the scope of traditional gallery exhibitions.

Who is De Maria? Walter Joseph De Maria was born in 1935 in Albany, CA and died in 2013 in Los Angeles, CA. In 1960, he moved to New York where he stayed the remainder of his career. His artistic interests included Conceptual, Land, and Minimal Art. Among his famous works are the New York Earth Room, The Lighting Field, The Broken Kilometer, and The Vertical Earth Kilometer.
​
Fun fact: Initially, about 3500 people annually visited the Earth Room. Nowadays that number is about 16,000. With the growing awareness of human impact on the environment, it seems likely that the number of visitors will continue to rise. The New York Earth Room remains one of the most unique forms of Land Art.   

Read More
0 Comments

    Categories

    All
    Academic Art
    Altdorfer
    Alte Pinakothek
    Amsterdam
    Anguissola
    Art Institute Of Chicago
    Baltimore
    Baltimore Museum Of Art
    Barber Institute Of Fine Arts
    Bargello
    Barnes Foundation
    Baroque
    Basel
    Berlin Painter
    Birmingham
    Bologna
    Bosch
    Boston
    Botticelli
    Boucher
    British Museum
    Bronzino
    Bruegel The Elder
    Byzantine Art
    Cabanel
    Caillebotte
    Canova
    Caravaggio
    Carpeaux
    Cezanne
    Cézanne
    Chicago
    Cimabue
    Classical Antiquity
    Cleveland
    Cleveland Museum Of Art
    Copenhagen
    Courtauld Gallery
    Cubism
    David
    Degas
    Delacroix
    De Maria
    Detroit
    Detroit Institute Of Arts
    Donatello
    El Greco
    Filippo Lippi
    Florence
    Fontana
    Fra Angelico
    Fragonard
    Frankfurt
    Frans Hals Museum
    Galleria Borghese
    Gallerie Dell'Accademia
    Gauguin
    Gentileschi
    Gericault
    Getty Museum
    Gonzalez-Torres
    Gothic
    Goya
    Grand Style
    Guggenheim
    Haarlem
    Hals
    Hermitage
    Hogarth
    Hokusai
    Impressionism
    Ingres
    International Gothic
    Kunsthistorisches Museum
    Kunstmuseum
    Legion Of Honor
    Leonardo Da Vinci
    London
    Longhi
    Lorrain
    Los Angeles
    Louvre
    Madrid
    Makovsky
    Manet
    Massys
    Matisse
    Mauritshuis
    Metropolitan Museum Of Art
    Michelangelo
    Milan
    Modern Art
    Modigliani
    Monet
    Moscow
    Munich
    Musee D'Orsay
    Museum Of Fine Arts
    Museum Of Modern Art
    National Gallery In London
    National Gallery Of Art
    National Museum In Poznan
    Neoclassicism
    New York
    Northern Renaissance
    Ny Carlsberg Glyptothek
    Palace Of Versailles
    Palazzo Pitti
    Palazzo Vecchio
    Panini
    Paris
    Parmigianino
    Perugino
    Petit Palais
    Philadelphia
    Philadelphia Museum Of Art
    Picasso
    Pinacoteca Nazionale
    Pisanello
    Post Impressionism
    Poznan
    Prado
    Pushkin Museum
    Raphael
    Ravenna
    Realism
    Rembrandt
    Renaissance
    Renoir
    Reynolds
    Rijksmuseum
    Rivera
    Rococo
    Rodin
    Romanticism
    Rome
    Rubens
    Saint Petersburg
    San Diego
    San Diego Museum Of Art
    San Francisco
    Scultori
    Seurat
    Sfumato
    Sistine Chapel
    Social Realism
    Spanish Renaissance
    Statens Museum For Kunst
    Steen
    Tate Britain
    Tate Modern
    The Hague
    Timken Museum Of Art
    Tintoretto
    Titian
    Toulouse Lautrec
    Toulouse-Lautrec
    Turner
    Uccello
    Uffizi
    Ukiyo-e
    Van Der Weyden
    Van Dyck
    Van Eyck
    Van Gogh
    Van Hemessen
    Vasari
    Vatican Museums
    Veduta
    Velázquez
    Venice
    Vermeer
    Verona
    Veronese
    Vienna
    Vigee Le Brun
    Wallace Collection
    Washington

Home

Blog

BOOKS

Contact

© COPYRIGHT 2022. ALL RIGHTS RESERVED.
  • Home
  • Blog
  • Museums
    • Alte Pinakothek
    • Art Institute of Chicago
    • Baltimore Museum of Art
    • Barber Institute of Fine Arts
    • Bargello
    • Barnes Foundation
    • British Museum
    • Church of Sant’Anastasia
    • Cleveland Museum of Art
    • Courtauld Institute of Art
    • Detroit Institute of Arts
    • Frans Hals Museum
    • Galleria Borghese
    • Gallerie dell'Accademia
    • Getty Museum
    • Guggenheim
    • Hermitage Museum
    • Kunsthistorisches Museum
    • Kunstmuseum Basel
    • Legion of Honor Museum
    • Louvre
    • Mauritshuis
    • Metropolitan Museum of Art
    • Musee d’Orsay
    • Museum of Fine Arts in Boston
    • Museum of Modern Art
    • National Gallery in London
    • National Gallery of Art
    • National Museum in Poznań
    • Norton Simon Museum
    • Ny Carlsberg Glyptotek
    • Palace of Versailles
    • Palazzo Pitti
    • Palazzo Vecchio
    • Petit Palais
    • Philadelphia Museum of Art
    • Prado
    • Pushkin Museum
    • Ravenna Art Museum
    • Rijksmuseum
    • San Diego Museum of Art
    • Santa Maria delle Grazie
    • Städel Museum
    • Statens Museum for Kunst
    • Tate Britain
    • Tate Modern
    • Timken Museum of Art
    • Uffizi
    • Vatican Museums
    • Wallace Collection
  • Artists
    • Altdorfer
    • Anguissola
    • Berlin Painter
    • Bosch
    • Botticelli
    • Boucher
    • Bronzino
    • Bruegel the Elder
    • Cabanel
    • Caillebotte
    • Canova
    • Caravaggio
    • Carpeaux
    • Cezanne
    • Cimabue
    • David
    • Degas
    • Delacroix
    • De Maria
    • Donatello
    • El Greco
    • Fontana
    • Fra Angelico
    • Fragonard
    • Gauguin
    • Gentileschi
    • Gericault
    • Gonzalez-Torres
    • Goya
    • Hals
    • Hogarth
    • Hokusai
    • Ingres
    • Leonardo da Vinci
    • Lippi, Filippo
    • Longhi, Barbara
    • Lorrain
    • Makovsky
    • Manet
    • Massys
    • Matisse
    • Michelangelo
    • Modigliani
    • Monet
    • Panini
    • Parmigianino
    • Perugino
    • Picasso
    • Pisanello
    • Raphael
    • Rembrandt
    • Renoir
    • Reynolds
    • Rivera
    • Rodin
    • Rubens
    • Scultori
    • Seurat
    • Steen
    • Tintoretto
    • Titian
    • Toulouse-Lautrec
    • Turner
    • Uccello
    • Van der Weyden
    • Van Dyck
    • Van Eyck
    • Van Gogh
    • Van Hemessen
    • Vasari
    • Velazquez
    • Vermeer
    • Veronese
    • Vigée Le Brun
  • Locations
    • Austria >
      • Vienna
    • Denmark >
      • Copenhagen
    • England >
      • Birmingham
      • London
    • France >
      • Paris
      • Versailles
    • Germany >
      • Frankfurt
      • Munich
    • Italy >
      • Bologna
      • Florence
      • Milan
      • Ravenna
      • Rome
      • Venice
      • Verona
    • Poland >
      • Poznań
    • Russia >
      • Moscow
      • Saint Petersburg
    • Spain >
      • Madrid
    • Switzerland >
      • Basel
    • The Netherlands >
      • Amsterdam
      • Haarlem
      • The Hague
    • United States >
      • Baltimore
      • Boston
      • Chicago
      • Cleveland
      • Detroit
      • Los Angeles
      • New York
      • Pasadena
      • Philadelphia
      • San Diego
      • San Francisco
      • Washington, DC
  • Books
  • About Us
    • Contact
    • Friends and Resources