Where? Prints are part of the collections of several museum around the world, including the Ashmolean Museum, National Gallery of Art, National Galleries Scotland, Philadelphia Museum of Art, and the Rijksmuseum.
What? Engraving on laid paper: plate: 30.6 x 20.8 cm; sheet: 54.2 x 42.9 cm.
What do you see? A young nude boy sits on a pile of rocks, intently focused on removing a thorn from his bare foot. The statue sits in the corner of a room or foyer. Puffy clouds visible in the upper part of the window on the left help to define the available light source. Engraving techniques produce the textures that indicate the depth of the walls and the space the statue occupies. Each shadow is created by a multitude of fine lines, overlapping lines, and cross-hatching. The marble pedestal supporting the statue raises the young boy so the viewer can see the scene from below. His right foot does not touch the ground or rest as he tries to remove this thorn without inflicting more pain.
The story and original sculpture date back to a Classical Roman marble that is said to be a copy of an even earlier Grecian bronze rendition lost in the 3rd century B.C. Reproductions of the statue were one of Rome's most widely admired antiquities, and drawings and prints were popular and in demand. A copy of the original ancient statue can be found at Palazzo dei Conservatori, which is part of the Capitoline Museums in Rome. It is recorded as having been there since 1499-1500.