 Where? Gallery 85 of the National Gallery of Art When? 1876 Commissioned by? Possibly for the art collection of Baron Achille Sellière What do you see? A young and pretty girl holds a green watering can in her right hand and two daisies in her left hand. She is probably around four years old and wears a knee-length, deep blue dress with extensive white lace on it. She also wears matching blue boots with white lace on the top. She has red lips, blue eyes, and rosy cheeks. She has a red bow in her long curly blonde hair. She seems to be content while watering the flowers. The girl stands on a light-colored footpath in the garden. The colors that Renoir used for the stones and dirt on the footpath contrast nicely with the green grass surrounding it. On the bottom left are a rose bush and some grass. In the background is more grass and a collection of flowers. In this painting, you can clearly see that Renoir applied the colors with individual touches and that he did not mix them on the canvas. This technique is typical of the Impressionist art style. No Shadow: Interestingly there is no shadow visible anywhere in this painting. The reason is that Renoir wanted to create an illuminating painting where the light radiates from the painting as soon as you see it. This painting is a good example of a painting that stands out from the rest of the paintings in the room in the National Gallery of Art. Another example of such an illuminating painting is Sunflowers by Van Gogh. You can see one of the versions of this painting in the Philadelphia Museum of Art and this painting also clearly stands out from the other paintings in the room. Another version is in the National Gallery in London. It is, however, also surprising that Renoir did not include a shadow in this painting, as he famously said: "No shadow is black. It always has a color. Nature knows only colors … white and black are not colors."  Sunflowers by Van Gogh in the National Gallery Backstory: According to some, this painting has been created in the garden of Claude Monet in Argenteuil, France, but this is not certain. The girl in this painting is probably a girl that lived near Renoir, possibly called Mademoiselle Leclere. He picked her because of her prettiness and especially her distinctive eyes. This painting is a classical Impressionist painting as it focuses on the different colors and how they can be used to represent the effects of sunlight. Like many other Impressionist paintings, this work was painted while Renoir was outside (something that was uncommon in the period before Impressionism). However, at the same time, the simplicity of this painting is a first step in the direction of Post-Impressionism which is famous because of artists like Van Gogh. Who is Renoir? Pierre-Auguste Renoir (1841-1919) was a French impressionist painter. When he was three years old, his family moved to Paris and lived close to the Louvre. As a child, he often visited the Louvre to admire works of art. He developed himself into one of the best Impressionist painters and nowadays you can find some of his work in the Louvre. Together with people like Manet, Monet, and Pissarro, he is one of the founders of the Impressionist art style. Renoir said that he painted for fun and painted scenes “which made me want to walk in it.” He continued to enjoy painting until the end of his life, even after he had developed arthritis and it became difficult to hold a brush. Some of his other great works include Dance at Bougival at the Museum of Fine Arts in Boston and La Promenade in the Getty Museum.
Fun fact: At the time of this painting, Renoir was still in a struggle for money. To generate money, Renoir decided to paint widely attractive scenes of women and children in the hope that these would sell more easily and possibly attract some commissions for portraits. These kind of scenes were in high demand in France at that time. His strategy paid off as by 1879 he had become a successful painter with some money which he used to travel around Europe and North Africa. Interested in a copy for yourself? Poster or canvas.
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