Hail Mary by Paul Gauguin

​Where? Gallery 825 of the Metropolitan Museum of Art
When? 1891
What do you see? This painting contains five people. On the right is Mary with her naked child Jesus sitting in an odd pose on her shoulder. Both have a halo around their head and are looking at the viewer. Mary is wearing a red pareo (which is a dress that is wrapped around the middle or higher and is typical for people in Tahiti and the Cook Islands) wrapped around her with a hibiscus flower motif on it. On the left, you can see a female angel (probably representing the Archangel Gabriel) dressed in pink and with blue and yellow wings. The angel is partly hidden behind a flowering tree. The angel points out the presence of Mary and Jesus to the two Tahitian women on the purple path. These two women are dressed in a pareo from the waist down, and they fold their hands in devotion.

​In the foreground is a collection of fruit laying on a fata, which is a wooden altar that Polynesians use to make offers to their gods. These fruits may be an analogy to the gifts that the three Magi brought to Jesus after his birth. The fruit includes red and yellow Tahitian bananas (some of which are in a wooden bowl) and the green breadfruit in the center. In the background, you can see the dark mountains, a lake, palm trees, and flowering bushes. There is a boathouse on the right side of the lake.

Backstory: This painting is also known as Ia Orana Maria (which is Tahitian for ‘Hail Mary’ or ‘Mary, I salute you’) and this is the title displayed at the bottom left of the painting. Paul Gauguin painted this after he moved to Tahiti, the largest island of French Polynesia, in the middle of the Pacific Ocean. This was the first painting he completed after his arrival in Tahiti in 1891.

​The words Ia Orana Maria are the first words of the Tahitian version of the prayer Ave Maria. Gauguin occasionaly painted religious paintings. For example, see his self-portrait with the yellow body of Christ which is now in the Musée d’Orsay.

The Artist with the Yellow Christ by Gauguin

What is Hail Mary? Also known as the Angelic Salutation or Ave Maria, Hail Mary is a prayer in the Catholic Church. The full text of this prayer is:

“Hail Mary, full of grace, the Lord is with thee. Blessed art thou amongst women and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now, and in the hour of our death. Amen.”

This prayer is the most popular prayer aimed at Mary and asks for her help in intervening between the person praying and God.

Who is Gauguin? Eugène Henri Paul Gauguin (1848-1903) is a Post-Impressionist artist who is known for his experimental use of colors. Vincent van Gogh and Edgar Degas were important for Gauguin in developing his unique style.

In 1891, Gauguin moved to Tahiti to start a new life. His idea was to set up a community of painters, called l’atelier des tropiques in an area that was far away from home and did not suffer from the materialism that was present in France. The main idea behind this initiative was to stimulate the role of spirituality in their artworks and to expose themselves to different cultures and religions.

In the end, no other painters joined him, and he left alone to Tahiti. However, this did not have a negative effect on the quality of Gauguin’s work, and he produced some of his best works during this period, including  By the Sea (Fatata te Miti) in the National Gallery of Art and Spirit of the Dead Watching (Manao Tupapau) in the Albright–Knox Art Gallery in Buffalo.

​Most of Gauguin’s paintings are based on his imagination, and he expressed in a letter to his wife that he believed that his artistic center was in his mind and did not need to be inspired by other painters.

By the Sea by Gauguin

Spirit of the Dead Watching by Gauguin

Fun fact: Gauguin did not have any models from Tahiti in front of him to paint this picture, but rather painted this based on his imagination and some other stimuli that he brought to Tahiti. For example,  as Tahitians were not walking around half-naked, the two women in the middle are modeled after the figures of dancers on a bas-relief of the Javanese Borobudur temple of which he had brought a picture. Also, the pose of Jesus on top of Mary’s shoulder was based on a postcard that Gauguin bought during his trip to Tahiti. Moreover, Gauguin was one of the first artists to depict Mary and Jesus with a colored skin, something that was not allowed yet by the Catholic Church.

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Written by Eelco Kappe

References:

• Dorra, Henri (1952), “Ia Orana Maria,” The Metropolitan Museum of Art Bulletin, 10(9), 254-260.
• Staszak, Jean-François (2013), “The Artist and the Tourist: Gauguin in Tahiti,” in Rakic, T. & Lester, J.-A., Travel, Tourism and Art. Ashgate Publishing Limited, 191-206.