Where? First floor, room 4 of the Denon wing in the Louvre
Commissioned by? Colonel John Campbell
What do you see? The moment at which the lifeless body of Psyche is just brought back to life by Cupid. The figures of Cupid and Psyche (except the wings) are positioned in a pyramid shape, which creates a stable form for the sculpture. Cupid sits on one knee on top of a rock and holds Psyche by her head and breast. He has large wings pointing straight up into the air and is wearing his arrows in a quiver on his back. Psyche reaches up to Cupid and has her hands on his head. She lets her head hang back and they are about to engage in a kiss. Her long hair reaches all the way to the ground. She has a cloth wrapped around her lower body. Behind them lays the flask with the ointment that Psyche collected from the underworld. Directly to the right of the flask is Cupid's arrow, which he used to wake up Psyche. This story symbolizes the big efforts and challenges a human must undergo to achieve happiness and immortality. Look also at the precision with which Canova created the smooth bodies of Cupid and Psyche. This smoothness contrasts nicely with the wrinkly texture of the sheet wrapped around Psyche and the rougher texture of the rock on top of which they are. Near the right foot of Psyche is a handle, which was originally included to turn the sculpture around as it was worth seeing this sculpture from all possible angles.
Backstory: This sculpture of Cupid and Psyche is based on a story that the Roman writer Apuleius wrote in his book Metamorphoses, chapters four, five, and six (you can download the book here for free). In short, Psyche was considered the most beautiful woman alive, and Cupid fell in love with her. The painting Cupid and Psyche in the Cleveland Museum of Art by Jacques-Louis David shows the couple after they made love. The goddess Venus was jealous of her beauty. So, she sent Psyche on a very dangerous journey to the underworld to collect a flask with Proserpina’s beauty ointment. She succeeds with the help of Cupid. Venus instructed Psyche not to open the flask, but after she completes the journey, she could not resist and opened it to take some of the beauty. Instead of becoming more beautiful, the ointment makes her fall in a very deep sleep as Proserpina had filled the flask with sleep of the innermost darkness. Cupid forgives Psyche and revives her. He asks for the help of Zeus who makes Psyche immortal and Cupid and Psyche marry and stay together forever.
Multiple Versions: Antonio Canova created another version of this statue for the Russian are collector Prince Yusupov. This version was made in 1796 and is now in the Hermitage Museum in Saint Petersburg. It differs somewhat from the current version as Yusupov asked for changes, such as that the cloth on Psyche should cover her legs completely. The favorite student of Canova, Adamo Tadolino, inherited the plaster model for this sculpture, which is now at the Metropolitan Museum of Art. He used this model to create at least five known marble replicas of this sculpture with small modifications. He added, for example, small butterfly wings to the back of Psyche and created smaller wings for Cupid.
Who is Psyche? One of the three daughters of an unknown king and queen. She was very beautiful, and the people treated her like a goddess. Venus was jealous of her beauty and the way she was treated. She asked her son, Cupid, to use his arrows to make her marry the ugliest of all human beings. However, when Cupid saw Psyche, he fell in love with her. Her father went to an oracle to ask why her daughter had not married yet. The oracle said that Psyche should be left behind there immediately as otherwise terrible disasters would happen. The god Zephyr blew her away and put her in a palace by herself. There, every night she made love to a person that she was not allowed to see. This person was Cupid. When she discovered that it was Cupid, he fled. To get Cupid back, she followed the instructions of Venus to gather a beauty ointment from the underworld as described above.
Who is Canova? Antonio Canova (1757-1822) was born in Possagno, a small town in the north-east of Italy. He studied arts in Venice and then moved to Rome at age 23 to start his own workshop. He created several commissions for the Pope while in Rome. In 1802, he moved to Paris where he completed several sculptures for Napoleon. He was inspired by the ancient Greek and Roman sculptures. He revived this classical style and Canova is considered to be the prime neoclassical sculptor. His sculptures are praised because of their perfect form and finish. The careful finish of the human bodies makes his statues look like real flesh and makes them come alive. An example of another great sculpture of Canova is Perseus with the Head of Medusa, which is in the Vatican Museums, and a replica of it is in the Metropolitan Museum of Art.
Fun fact: Canova did extensive research to create this sculpture. The position of Cupid is copied exactly from a painting he saw in Herculaneum near Naples. After many sketches, he then created numerous clay figures of the sculpture. Unlike many other sculptors who created clay models of a sculpture at a smaller size, Canova created the clay models at their real size. This helped him to accurately sculpt his work in marble. Note that the flask and the wings of Cupid are sculpted separately and are inserted into the rest of the sculpture. For example, you can still see some marks on where the wings are attached to Cupid’s back. Finally, Canova had special curved chisel tools designed for him, which he used to carve out the sculpture’s most inaccessible places. This attention to detail makes him one of the most admired sculptors in history.