Where? First floor, room 8 of the Denon wing in the Louvre
When? Between 1595 and 1598
Commissioned by? Cardinal Francesco Maria Del Monte
What do you see? On the left is a gypsy woman. She is wearing a white shirt, a blanket fastened around her shoulder, and a wrap around her head. On the right is a young man from the upper class. The nobleman is dressed in an expensive brown and black jacket, a feathered hat, and a glove on his left hand (and in that same hand he is holding the glove of his other hand). He is also wearing a sword with a rounded knob (called a pommel) on the top, which seems to almost stick out of the painting. Caravaggio is depicting a scene that could have been observed at that time in the streets of Rome. The gypsy woman is reading the right-hand palm of the young man to tell him his about this future. The woman is looking directly at the young man, who is looking back and is distracted by her beauty. In the meantime, the woman is stealing an expensive ring from his finger. You cannot see the ring, but we know that this is what the girl is doing based on another version of this painting which is shown below.
Backstory: Caravaggio probably used his roommate, Mario Minniti, a painter himself, as the model for the young man and he probably asked a gypsy from the streets as the model for the woman. In 1665, the Italian Prince Camillo Doria Pamphili gave this painting to Louis XIV, and this is how it eventually got to the Louvre. This painting is the second version of this subject by Caravaggio. Around 1594, Caravaggio had painted the original version of this subject which is in the Capitoline Museums in Rome. Caravaggio painted more often multiple versions of a painting, such as, for example, with his Medusa paintings of which one is in the Uffizi Museum in Florence. In this painting, Caravaggio differentiates himself from his contemporary and earlier Italian painters by not focusing on biblical or classical themes, but by creating a, so-called, genre painting. This is a painting based on scenes observed in everyday life. Genre paintings would become quite popular during the 17th century among painters like Vermeer and Rembrandt.
Differences between the two versions: The second version of this painting in the Louvre seems to be an improvement over the first version as Caravaggio made several changes that are not obvious at first sight. First of all, he changed the background, which is a wall in the Louvre version. Second, he added the impact of light to the Louvre version. Third, in the Louvre version, the young man is bending forward a little bit less towards the woman, and the woman is standing straighter and seems to be more in control of the situation. It seems a more natural setting where both people are at ease in this situation. Fourth, in the Louvre version, the young man is wearing a glove on his left hand. Fifth, in the Louvre version, the feather on the young man’s head, his hair, and his garments, are more detailed and beautiful. Look, for example, at the folds in his jacket and the collar of his shirt.
What lessons can we learn? In this painting, Caravaggio expresses the bad reputation of the gypsies at that time as they were known to be untrustworthy and known for stealing things from the richer people. Also, he expresses the lesson that female beauty easily deceives young men. Caravaggio was one of the first artists to depict the theme of the fortune teller, and this topic has been the subject of quite some future artworks. For example, George de La Tour painted around 1630 his version of The Fortune Teller which is in the Metropolitan Museum of Art.
Who is Caravaggio? Michelangelo Merisi da Caravaggio (1571-1610) was born in Milan, but when he was five years old, his family moved to Caravaggio (which explains his surname). After some trouble with the police, he left for Rome in 1592. There, he developed a unique style which combined a realistic depiction of the physical and emotional state of his subjects with an innovative way to include light in his paintings. His work was the basis for the Baroque movement, and he has influenced many future, well-known painters, including Rubens and Rembrandt. Two other well-known works by Caravaggio that he created around the same time as the above painting are Bacchus (in the Uffizi Museum) and The Musicians (in the Metropolitan Museum of Art).
Fun fact: During the time that Caravaggio painted this work, he lived together with another painter, Mario Minniti. His roommate served as a model for quite some of Caravaggio’s paintings around that time, including the current painting, Bacchus, The Musicians, and The Lute Player. In paintings after 1600, he does not serve as a model anymore for Caravaggio as Minniti moved out to get married. This marriage got Caravaggio very angry. However, later on, their paths crossed again, and they allegedly were both involved in the killing of a man during a street fight in 1606. After this incident, both fled to Sicily to escape the police.