Where? Gallery 50A of the National Gallery of Art
When? Between 1662 and 1665
Commissioned by? Possibly, Pieter Claesz. van Ruijven, the patron of Vermeer.
What do you see? A pregnant woman stands in front of a table while holding a balance. She wears a blue winter jacket with white fur, a white head covering, and a long yellow/orange skirt. Her head is slightly tilted to the left, and she looks down at the balance in her right hand. On top of the table are two jewelry boxes, a pearl necklace, a gold chain, and some coins. The balance in the painting is empty but will be used to weigh the coins on the table. In the left foreground is a large blue cloth. The woman stands in front of a mirror. To the right of the mirror, we can see a yellow curtain that lets in a bit of light. On the wall in the back hangs a painting from The Last Judgment. The floor is covered with black and white tiles.
Use of Light: The light that enters on the top left helps us to better identify the colors of the different items in the room. For example, look at the color of the woman’s skirt. If we just look at the color below her waist, it seems yellow-brown, but looking at her belly, it seems that the skirt has a much more cheerful color, more like orange-yellow. Also, look at the color of the tiles. Below the table, the colors and contrasts are vague, but on the right side, in the light, the black and white contrast in the tiles is very clear. Finally, the blue cloth in the bottom left makes it very clear how much effort Vermeer put in accurately incorporating the effects of light into his work.
Backstory: This painting has also been referred to as “Woman Weighing Gold” or “Woman Weighing Pearls.” The Last Judgment painting in the background has not been identified yet, but it is probably a mannerist painting from the late 16th or early 17th century. An interesting detail here is that the bottom of that painting on the right side of the woman is lower than on the left side of the woman. Vermeer more often included works of art, like paintings or maps, from other artists in the background of his paintings. For example, The Astronomer in the Louvre has a painting of The Finding of Moses in the background, and in the background of Young Woman with a Water Pitcher in the Metropolitan Museum of Art is a known map of Hapsburg Netherlands.
Symbolism: Vermeer paints a pregnant woman with in the background a painting of The Last Judgment. This painting shows the apocalypse, the time when Jesus comes back to weigh all people on a ‘balance’ of good and bad to decide who goes to Heaven. One the left side of that painting (from our point of view) are the blessed people and on the right side are the damned people. At the same time, the woman is about to weigh some coins to judge their value. The message of this painting is that one needs to be careful with the earthly pleasures, like jewelry and money, because after you die everyone will be judged by God. The mirror in front of the woman should remind her that she should look in the mirror to evaluate her actions based on the Christian religion.
Who is Vermeer? Johannes Vermeer was born in Delft, The Netherlands, in 1632, and died there in 1675. He was the son of an art dealer and a silk weaver. Vermeer took a long time to complete each painting and was very precise. Because of this, he only produced a limited number of paintings. As a result, and in combination with raising his many children, he never got rich. Vermeer is classified as a genre painter (painting simple scenes from everyday life). While less than 40 known paintings are attributed to him, most of his works are of very high quality and very popular nowadays. Some great examples of his work are The Milkmaid in the Rijksmuseum in Amsterdam and Girl with a Pearl Earring in the Mauritshuis in The Hague.
Fun fact: The woman in this painting seems pregnant. This is best visible by looking at her belly, which is accentuated by the colorful part of the skirt. Other signs of her pregnancy are the pale color on her face and some hints of edema (which is a swelling in the legs, feet, and arms). The swelling in her hands is hard to see for the average person, but not for medically trained professionals. While it is not known who the woman in the painting is, it is not unlikely that she is the wife of Johannes Vermeer, Catharina Bolnes, as they got 15 children together.
Interested in a copy for yourself? Poster or canvas.